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Mystikal's rape trial details stay secret due to a court gag order requested by his defense team ahead of his March trial.
Hip-hop has always been obsessed with the concept of the “come up.” It is a genre built entirely on risk. You bet on your talent, you bet on your crew and you bet on escaping your circumstances. It is no surprise, then, that once the money actually starts rolling in, that appetite for risk doesn’t <p>The post Stacks on Deck: The Deep Connection Between Hip-Hop Royalty and High-Stakes Gambling first appeared on Raptology.</p>
Martin Shkreli countersued PleasrDAO and RZA, claiming he owns 50% of Wu-Tang's rare album until 2103, when he turns 120 years old.
Gary rapper Freddie Gibbs won his first Grammy for featuring on Leon Thomas' Mutt album and plans to donate the trophy to Hard Rock Casino.
Music money is no longer just about streams. It’s about usage at scale. As royalties move onto digital rails, attribution tightens, automation takes over, and claims become routine. In that environment, creators don’t optimize for hits.
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